Does Sarah Bell’s notion of the database model of cultural production apply to arts beyond music/sound art? Are there other products or algorithms in other media that evoke this model?
What are the acceptable tolerances for timing and pitch studies using tools like Sonic Visualizer? What technological solutions are possible for the detection and reduction of human errors and/or post-data collection mitigation?
How to use SV to study A + B mashups (could the Match plugin be improved/modified for this purpose?)