On his customary role as “il cattivo”:

 

On his favorite role (Agramante in the Rodomonte):

 

Comparison between performing as a musician and a maggerino:

 

Sources of knowledge of the chivalric epic:

 

On why he writes maggi and on whether the tradition can survive without new maggi:

 

On change and continuity in the maggio:

 

On his female characters:

 

On his maggio Rolando da Corniano:

Villa Minozzo, July 2002.